Alright, Mr. Patchwork there is just needlessly hot?? All the different skin tones make him incredibly striking and I LOVE the hair and the mismatched eyes. What a fascinating take on reanimated bodies too — the fully detached limbs that can still move are really, really cool.
I’m always a fan of glasses being knocked askew of falling off or something – it’s a great detail! The colors here are also gorgeous. Greens and violets, I think, are very in season.
Ooh I like that detached foot on the groin there – certain if one has detachable limbs then why not put it to good use!
Stepping!!! I love how you executed it with a disembodied foot!!! A real nice intersection of body horror and sexiness. Oh how the tables have turned for this scientist but hey, definitely they can conclude that their grisly experiment was a success. The lighting on this is so good, cold and almost clinical.
wow what a fab original take on a Frankenstein’s monster look — I love the detached but animate limbs, and the two-tone hairstyle which I don’t think I’ve ever seen before in similar creature designs but is such a fun idea!
The Mr. Stitch style of crazy-quilt reanimated amalgam has always been near and dear to my heart, so of course I got a kick out of seeing someone put their own spin on it! The different textures, in addition to length and color, of the construct’s hair are such a nice touch. The posing of the meat-stumps to clearly show that yes, those limbs have popped off of their own accord, and yes, this is science gone terribly wrong (or right, I mean, I’m not judging) is also a pitch-perfect match for the tone of the issue, riding the line of discomfort and eroticism in that way horror does so well. I also like the lighting effects you went for here, balanced with a very subtle purple in the opposite corner; it gives the whole scene a subtly unnatural cast goes super well with the subject matter.
It’s also pretty cool comparing this to your much earlier work and seeing how your techniques have evolved; welcome back, and hope to see more from you in the future!
The lighting looks soo good on this! That bright green shadow edge really adds so much. I love the ambiguity of their facial expressions- not quite able to parse if this is willing or not, but it certainly is hot.
Alright, Mr. Patchwork there is just needlessly hot?? All the different skin tones make him incredibly striking and I LOVE the hair and the mismatched eyes. What a fascinating take on reanimated bodies too — the fully detached limbs that can still move are really, really cool.
I’m always a fan of glasses being knocked askew of falling off or something – it’s a great detail! The colors here are also gorgeous. Greens and violets, I think, are very in season.
Ooh I like that detached foot on the groin there – certain if one has detachable limbs then why not put it to good use!
Stepping!!! I love how you executed it with a disembodied foot!!! A real nice intersection of body horror and sexiness. Oh how the tables have turned for this scientist but hey, definitely they can conclude that their grisly experiment was a success. The lighting on this is so good, cold and almost clinical.
wow what a fab original take on a Frankenstein’s monster look — I love the detached but animate limbs, and the two-tone hairstyle which I don’t think I’ve ever seen before in similar creature designs but is such a fun idea!
The Mr. Stitch style of crazy-quilt reanimated amalgam has always been near and dear to my heart, so of course I got a kick out of seeing someone put their own spin on it! The different textures, in addition to length and color, of the construct’s hair are such a nice touch. The posing of the meat-stumps to clearly show that yes, those limbs have popped off of their own accord, and yes, this is science gone terribly wrong (or right, I mean, I’m not judging) is also a pitch-perfect match for the tone of the issue, riding the line of discomfort and eroticism in that way horror does so well. I also like the lighting effects you went for here, balanced with a very subtle purple in the opposite corner; it gives the whole scene a subtly unnatural cast goes super well with the subject matter.
It’s also pretty cool comparing this to your much earlier work and seeing how your techniques have evolved; welcome back, and hope to see more from you in the future!
hell yeah hell yeah hell yeah
ok the lighting is beautiful here. i adore the scientist’s face. the whole thing is just (chefs kiss) so good
The lighting looks soo good on this! That bright green shadow edge really adds so much. I love the ambiguity of their facial expressions- not quite able to parse if this is willing or not, but it certainly is hot.